摘要
在博物馆观众研究以及相关效益评价中,定量方法已经成为主流甚至主宰,而叙事性的博物馆学方法却被日益边缘化。叙事(narrative)是人类的群体属性,叙事博物馆学更关注"可感知的历史",它可以是一个故事,也可以是一首歌、一则笑话、一个理论、一条注解或一项计划。每一个个案故事可被感知,能够激起情感共鸣,并可以像"病毒"一样通过日常交流在公众中传播。叙事博物馆学不同于博物馆叙事,它是基于平民化和日常化的观众叙事,是一种新的方法学和认识论。
Quantitative methods of museum visitor studies have become the main approach and even dominate in China nowadays,while narrative museology methods have been increasingly marginalized.Narrative is the group attribute of human beings.Narrative museology pays more attention to"perceivable history".It could be a story,a song,a joke,a theory,a comment or a plan.Each case story can be perceived,can arouse emotional resonance,and can spread like a"virus pandemic"among the public through daily communication.Narrative museology is not museum narrative.It is based on the narrative of civilians and daily audience,which is a new methodology and epistemology.
作者
潘守永
王思怡
付丽
Pan Shouyong;Wang Siyi;Fu Li
出处
《自然科学博物馆研究》
2020年第4期5-13,93,共10页
Journal of Natural Science Museum Research
关键词
观众研究
质性方法
叙事博物馆学
visitor studies
qualitative methods
narrative museology
