摘要
本文试图在概述当代中国生态美学早期文献与领军人物曾繁仁存在论生态美学研究成果的基础上,给予此生态美学以自然美学视角的关注与反思。当代中国生态美学的旨趣主要并非关乎生态美学学科本身,而是关乎其现实性的价值功能,因此尚有若干学理基础建设方面的工作要做,比如生态美赖以产生的审美活动前提、生态审美活动的性质、生态美学的性质及其与自然美学等学科的真实关系、生态美学的研究方法论等。当然,国内生态美学对于自然美问题的研究也即自然美学仍具有重要启迪与借鉴意义,甚至在一定意义上也可视之为中国当代自然美研究的一个历史阶段。
This paper attempts to give the ecological aesthetics attention and reflection from the perspective of natural aesthetics on the basis of an overview of the early documents of contemporary Chinese ecological aesthetics and the research of the leading figure Zeng Fanren’s existential ecological aesthetics.The purpose of contemporary China’s ecological aesthetics is not mainly related to the ecological aesthetics discipline itself,but to its realistic value function.Therefore,there are still a number of academic foundation construction work to be done,such as the prerequisites of aesthetic activities on which ecological beauty depends,the nature of ecological aesthetic activities,the nature of ecological aesthetics and its true relationship with subjects such as natural aesthetics,the research methodology of ecological aesthetics,and so on.Of course,domestic ecological aesthetics still has important enlightenment and reference significance for the study of natural aesthetics,even in a certain sense,it can be regarded as a historical stage of contemporary Chinese natural beauty research.
关键词
生态美学
自然美
自然美学
曾繁仁
中国当代美学
Ecological aesthetics
Natural beauty
Natural aesthetics
Zeng Fanren
Contemporary Chinese aesthetics
