摘要
在中国社会现代化进程中,毛泽东的《在延安文艺座谈会上的讲话》不仅在现实层面推动了中国革命与文艺事业的发展,在理论层面也已成为中国式文艺现代化和中国式审美现代性的重要理论坐标。文章指出,这篇讲话对文化领导权与文化主体的阐释已成为当代世界美学与文艺理论家的理论资源。它深刻地把握住中国现代化进程中审美范式的转换,并概括出一种新的中国式审美现代性理论结构与情感结构,是世界美学与马克思主义美学发展进程中的重要一环,在世界美学史上具有重要地位和意义。
In the process of China’s social modernization,Mao Zedong’s Talks at the Yan’an Conference on Literature and Art not only promoted the development of the Chinese revolution and literature and art at the practical level,but also became an important theoretical coordinate for the modernization of Chinese-style literature and art and Chinese-style aesthetic modernity at the theoretical level.The article points out that the interpretation of cultural leadership and subject in the Talks has become a theoretical resource for contemporary world aesthetics and literary theorists.The Talks profoundly grasped the transformation of aesthetic paradigm in the process of China’s modernization,and summarized a new theoretical structure and emotional structure of Chinese-style aesthetic modernity,which is an important link in the development of world aesthetics and Marxist aesthetics,and has an important position and significance in the history of world aesthetics.
作者
王杰
Jie WANG(Guangxi Minzu University)
出处
《马克思主义美学研究》
2023年第1期87-91,440,共6页
Research on Marxist Aesthetics
关键词
《在延安文艺座谈会上的讲话》
中国式审美现代性
理论坐标
Talks at the Yan’an Conference on Literature and Art
the theoretical Coordinate
Chinese-style aesthetic modernity
