摘要
《红灯记》是一部歌颂在抗日战争时期,中国人民与日寇进行不屈斗争的革命现代京剧,为"文革"时期八个样板戏之一。文章将《红灯记》置于马克思主义现代悲剧观念的理论视域中,结合具体的文本分析,探索中国现代悲剧观念主体的历史生成、悲剧主体内部的复杂矛盾,以及现代悲剧主体与社会冲突的内涵和实质,试图从一个侧面阐明:马克思主义现代悲剧思想以其区别于尼采、黑格尔等的悲剧观念的独特内涵和巨大的包容性,开辟出了多元的阐释路径和视角。
Legend of the Red Lantern,one of"The Eight Model Operas"during the Cultural Revolution,is a revolutionary modern Peking Opera that celebrates the unyielding struggle between the Chinese people and the Japanese aggressors during the Anti-Japanese War.The paper puts Legend of the Red Lantern in Marxist theoretical horizon of modern tragedy,combining with specific text analysis,to study the history of Chinese modern tragedy,the internal complicated contradictions of the tragedy subject,as well as the content and nature of modern tragedy subject and social conflict.This paper is trying to clarify from one side:modern tragedy thoughts of Marxism,with its differences from Schopenhauer,Nietzsche and Hegel's concepts of tragedy,provide a lot of paths and perspectives for its unique connotation and great inclusiveness.
作者
周锋
徐建华
Feng ZHOU;Jianhua XU(Humanities and Foreign Language School,Zhejiang Shuren University)
出处
《马克思主义美学研究》
2021年第1期363-380,538,共19页
Research on Marxist Aesthetics
关键词
《红灯记》
现代悲剧主体建构
美好的未来
牺牲
Legend of the Red Lantern
Modern Tragedy Subject Construction
Bright Future
Sacrifice
