摘要
朱载堉是明代杰出的艺术家,他对舞乐及舞谱的一系列成果都集中在《乐律全书》中。文章以朱载堉《乐律全书·律吕精义》外篇卷九、十中“论舞学不可废”之“舞学十议”为论述中心,从舞蹈学中国学派之历史积淀的视角阐述“舞学十议”目录所含内容,并将朱载堉所编制的舞谱与“舞学十议”相对应,探究其舞学理念的理论与实践意义。希望通过这样的探究与解读,以古鉴今,古今融通,以扎实的历史传承与文化研究推进舞蹈学中国学派的建设。
Zhu Zaiyu,an eminent artist of the Ming Dynasty,dedicated his life to the masterpiece The Complete Book of Music Theory,which encompasses his achievements in dance music and scores.This paper focuses on Zhu Zaiyu's concept of“irreplaceable dance studies”in Volume Nine and Volume Ten of The Complete Book of Music Theory·The Essential Meaning of Musical Tuning.It elaborates on the“Ten Discourses on Dance Studies”from the perspective of the historical development of the Chinese school of dance studies and compares them with the dance scores compiled by Zhu Zaiyu to explore the theoretical and practical significance of his dance concepts.It hopes that through such inquiry and interpretation,we can learn from the past and integrate it with the present,and promote the construction of Chinese school of dance studies with solid historical inheritance and cultural research.
作者
高伟
仝妍
孔义龙
GAO Wei;TONG Yan;KONG Yi⁃long(School of Music,South China Normal University,Guangzhou 510006,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2023年第6期18-25,共8页
Journal of Beijing Dance Academy
基金
2023年度教育部人文社会科学研究规划基金项目“‘国家在场’视阈下民族舞蹈学中国学派的知识范式与学科建设研究”(项目编号23YJA760078)阶段性成果。
关键词
朱载堉
舞学十议
舞谱
舞学理论
舞蹈学中国学派
Zhu Zaiyu
Ten Discourses on Dance Studies
dance scores,dance theory,Chinese school of dance studies
