摘要
参照人类学领域的“大、小传统”理论,在以往所建构的唐宋诗学认知中,很大程度上尚局限于“大传统”结构,而对“小传统”因素关注不足。初盛唐时期,士族社会渐趋凝定,大、小传统呈现出疏离态势。而至中唐,由于社会巨变,诗人结构发生转型,日渐疏离的大、小传统复产生互动,自魏晋时起渐趋式微的“叙事传统”亦得复归。北宋沿袭中晚唐之旧,诗学上更多表现出了对“大传统”的重塑。而至南宋以降,由于社会结构的多元化,“大、小传统”又形成了新的互动,“布衣诗人”之聿兴,即是其中一个典型现象。通过对“大、小传统”理论的观照,不仅能够对唐宋诗学的固有结构形成一个补充,同时也可作为对“唐宋变革”困境的一种回应。
Referring to the theory of“great and little traditions”in the field of anthropology,the cognition of Tang and Song poetry constructed in the past was largely limited to the structure of“great traditions”,and insufficient attention was paid to the factors of“little traditions”.During the early and prosperous Tang Dynasty,the aristocratic society gradually became more stable,and the“great and little traditions”showed a trend of alienation.In the Middle Tang Dynasty,due to the great changes in society,the structure of poets underwent a transformation,and the increasingly estranged traditions of great tradition and little tradition resumed interaction.The“narrative tradition”that had gradually declined since the Wei and Jin Dynasties also returned.The Northern Song Dynasty inherited the old tradition of the Middle and Late Tang Dynasty,and in poetry,it more demonstrated the reshaping of the“great tradition”.Since the Southern Song Dynasty,due to the diversification of social structure,there has been a new interaction between“great and little traditions”,and the rise of“cloth poets”is one of the typical phenomena.By observing the theory of“great and little traditions”,not only can it supplement the inherent structure of Tang and Song poetics,but it can also serve as a response to the dilemma of Tang-Song Transition.
出处
《古代文学理论研究》
2023年第2期207-229,共23页
Studies of Ancient Chinese Literary Theory
关键词
大、小传统
唐宋变革
叙事传统
布衣诗人
great and little tradition
Tang-Song Transition
narrative tradition
cloth poets
