摘要
自建国以来 ,我国的文学史写作就存在两种方式 :集体写作与个人写作。在“个人写作”范畴中 ,以王瑶《中国新文学史稿》为代表的一批著作带着鲜明的国家集体话语首先出现 ;到 80年代 ,黄修己的《中国现代文学简史》与钱理群等人的《中国现代文学三十年》出版 ,“现代性”视角在文学史写作中出现 ;90年代 ,陈思和与洪子诚各自完成一部当代文学史著 ,他们不约而同地站在启蒙立场上对当代文学流程进行反思 ,从文学史个人写作由“集体话语”到“启蒙话语”嬗变的动态过程中 ,我们可感受到社会经济、政治状况对文学史写作决定性的制约作用。
There have been two sorts of writing patterns that are collective writing and individual writing in the field of writing literary history since Oct.1,1949.In the range of individual writing,a lot of literary history works whose representative was Wang Yao's Manuscript of Chinese New Literary History with obvious national and collective discours firstly occurred in 1950s.In 1980s,Simply Modern Literary History of China written by Hang Xiuji and 30 Years of Chinese Modern Literary History written by Qian Liqun,Wu Fuhui,Wun Rumin and Wang Chaobing were published.the study angle of modernity has come into the later work.Chen Sihe and Hong Zicheng separately wrote a work of Chinese contemporary literary history in 1990s,they stand on the enlightenment position to ponder the developed process of Chinese contemporary literary history.By studying the process,from Collective Discourse to Enlightenment Discourse in the field of writing literary history,we can understand what social economic and political conditions decisively restrict the writing of literary history.
出处
《韶关学院学报》
2002年第10期9-17,共9页
Journal of Shaoguan University
关键词
文学史
个人写作
阶级论
现代性
启蒙
literary history
individual writing
class theory
modernity
enlightenment
