摘要
本文依据详实的史料，从戏曲的形式、宣传的内容、演出场地的聚散等因素着手，分析其与四川教案酿生及爆发间的表里关系，揭示戏曲在舆论引导、动员及组织民众等方面的某些作用。分析清统治者对戏曲影响的认识和禁弛的态度，阐述了清末改革川剧的部分原因，消除民教间对峙的某些作法。
Based on reliable historical data, this article examines the form, propaganda co ntent, and proliferation of performances of Sichuan folk opera, in order to anal yze the relation between folk opera and the leadership and outbreak of Anti-Chri stian cases in Sichuan province. The article reveals the opera's function in dr iving public opinion, as well as mobilizing and organizing people. The article also scrutinizes the Qing government's attitude toward the recogni tion and contr ol of folk opera, and explains some reasons for reform of Sichuan opera, and mea sures the Qing government took to eliminate conflict between the Chinese and ali en religion.
出处
《清史研究》
CSSCI
北大核心
2000年第3期71-76,共6页
The Qing History Journal
