摘要
当代小说和电影改编之间的历史关系几历浮沉,由中国当代小说改编的电影作品曾经创造了“第四代导演”、“第五代导演”的艺术辉煌。随着90年代以来小说世俗影响力的滑坡和中国电影商业性因素的增强,第五代导演的小说情结逐渐淡化,而第六代导演反求诸己的自传体情绪的表达又使得他们与当代小说保持了某种自觉疏离。另一方面,小说家和电影之间的世俗妥协与精神对立共生共长,文学性、商业性、电影性三者的关系呈现出较为复杂的文化状态。
The historical relation between contemporary novel and Chinese film has changed.The films adapted from Chinese contemporary novels led to the achivement of the fourth generation of directors and the fifth .With the the landslide of the novels'influence and the increase of commercial factor of Chinese film since the 1990s, the fifth generation of director's novel complex is desalinized gradually, and it makes the sixth generation of directors keep a certain distance to contemporary novels that they would rather express their own mood .On the other hand, the antagonism to spirit, together with the compromise between the novelist and film, makes the relationship between literature , commerciality and film become more complicated.
出处
《晋阳学刊》
北大核心
2005年第4期103-106,共4页
Academic Journal of Jinyang
