摘要
《公民凯恩》是现代电影的滥觞之作,是划分现代电影与传统电影的转折点。它的现代性的深远指向包括人物形象所包含的现代意蕴,艺术上包括叙事结构和镜头语言所表现的现代性。这些都恰当地呈现出电影作为文化工业被多元决定的媒介特征。
Citizen Kaen is the originate work of the modern films and the turning point of the distinction between the modern and traditional films. Its far- reaching modern direction includes the modern implication that the figue imagery contains and the modernism that the narrating structure and camera language represent. All of these appropriately present the media characteristic of the film determined by the many -faceted literature industry.
出处
《雁北师范学院学报》
2006年第1期89-90,共2页
Journal of Yanbei Teachers College
关键词
人物形象
叙事结构
镜头语言
现代意蕴
figue imagery
narrating structure
camera language
modern implication
