摘要
出自民间的词经由唐五代两宋的发展,在文人士大夫的一再推动下,至晚宋已确立骚雅精工的普遍倾向。姜白石和吴梦窗作为南宋后期双峰对峙的词坛大家,他们的创作在三个方面表现了晚宋词风的这一嬗变其一,提倡雅正的词学观念和精思的创作方式,代表了晚宋词人求雅求工、精思而作的普遍倾向和发展趋势;其二,在他们的笔下,“词主情”之情,从普泛化抒情转变为自传性抒情,词中充分表现男性自我情爱心理,体现了晚宋词坛注重抒写主观心态、内心情绪的重大转变;其三,作为词之“小类”的咏物词,出现了由感物言志到托物喻志、寄寓家国之感的转折,促成了晚宋咏物词的成熟。而梦窗词对白石词的继承和创新,更清晰地反映了这一词风嬗变的最后完成。
In terms of poetics and fine artistic creations, Bai Shi and Meng Chuang, as two of the greatest ci-poets in mid-and late Southern Song Dynasty, came down in one continuous line. Their works has manifested a popular trend in ci-poetry writing, that is, the trend of pursuing after gracefulness, delicateness, and meticulous mentality. Both of them were passionate poets, and in expressing their sincere emotions, they both took up the writing of autobiographical lyrics, thus embodying the significant inward turn in the Southern Song ci-poetry writing, that is, the turn to the expressions of the poets＇ own subjective will and inner moods. Ci-poems praising various objects in the Southern Song Dynasty were so popular that Bai Shi and Meng Chuang were no exception, but their creation has helped to transform ci-poetry writing from expressing wills in response to the influence of objects to creating images of objects for the expression of their wills or feelings towards their own life, or towards the fate of the country, thus exerting great influences upon the maturation and perfection of the object-praising ci-poems in the late Southern Song Dynasty.
出处
《学术月刊》
CSSCI
北大核心
2006年第8期112-119,共8页
Academic Monthly
关键词
白石
梦窗
情词
咏物词
嬗变
Bai Shi, Meng Chuang, ci-poetry, love lyrics, object-praising poems, evolution
