摘要
民间小戏,作为草根文化的代表,其产生、发展、兴盛与乡村社会有着直接而紧密的联系,较真实地反映了社会生活的多元图景。抗战爆发后,政治的强大力量渗透到乡村社会,对乡村戏剧的改造就是其中之一。处于战争话语下的民间小戏在结构和内容方面都随之发生了深刻变化,娱乐功能的主导地位被政治教化功能所取代。政治开始以一种前所未有的方式介入到民间文艺中,融入到乡村生活中。本文以抗战时期山西革命根据地的民间小戏为考察对象,分析了战争话语下草根文化在内容、形式和功能方面的转变及其与政治在乡村社会的结合。
As a representative of grass-roots culture, the origin, development and flowering of folk opera has direct and strict connections with rural society, and gives a comparatively true reflection of many aspects of social life. After the breakout of the Resistance War against Japan, the mighty power of politics filtered down into rural society. One of its expressions was the reformation of rural opera. The structure and content of rural opera experienced profound changes in the war context, and entertainment was replaced by political education as its guiding force. Politics began to intervene in folk literature and art and melted into rural life with an unprecedented way. Taking folk opera in Shanxi revolutionary areas as its subject for examination, this article analyzes the changes in the content, form and function of grass-roots culture in the war context and its integration with politics in rural society.
出处
《近代史研究》
CSSCI
北大核心
2006年第6期90-105,共16页
Modern Chinese History Studies
