摘要
本文从乐律学的角度,对日本现存雅乐所用的律制以及六个调的基本形态的分析入手,对于日本学者以往关于六调调高和中国与之相关调的渊源关系的认识,通过笔者的比较论证提出了一些不同看法。
From the viewpoint of music temperament, the writer analyzed the music temperament system used by gagaku as well as its basic patterns of six tunes existent in Japan nowadays. He proposed some different opinions against the Japanese scholar＇s view that the pitches of six tunes had some kind of origin relations to the relative tunes in China.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2007年第1期217-223,248,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
壹越律
律首
律调
吕调
乐调
顺生
逆生
temperament of yiyue, head of music temperament, tune of music temperament, Lv tune, Yue tune, start in succession, start in reversed
