摘要
唐文三变,已成为唐代文学研究中的学术共识,但"三变"之一的"燕许大手笔"张说、苏颋在文章写作中所使用的革新策略及其对唐代文风演变所产生的文学效应,尚未得到学界的深入关注。张说、苏颋之文,虽未跳出初盛唐之际以骈为宗的主流,但在文学内质上有所提升,在风格气势上也有所突破,革华靡,除富艳,质实朴素,景象浑厚。张、苏对文体文风变革的探索与尝试,对中唐以后的散文革新提供了有益启示。
It is the common recognitions that the Tang Dynasty ＇ s literature has three changes. But it is almost few researchers pay attention to how did the changes works in each writer. Zhang Yue,Su Ting,who enjoyed a good reputation of ＂Yan Xu Da Shou Bi＂ at Kai Yuan time in Tang Dynasty, need to discuss especially, because their study and experiment and their contribution in the change of literary style in Tang Dynasty supply some inspriration. We should re-established the important status of ＂Yan Xu Da Shou Bi＂ in the Tang Dynasty＇s prose developing process.
出处
《齐鲁学刊》
CSSCI
北大核心
2008年第2期119-122,共4页
Qilu Journal
关键词
张说
苏颋
燕许大手笔
美学标格
Zhang Yue
Su Ting
Yan Xu Da Shou Bi
aesthstic style
