摘要
新时期承传了"五四"文学的启蒙传统,沿用了特定空间意象——"铁屋子",它具有突出等级秩序的权力建制、封闭又狭小的表现形态和凝滞又孤立的存在方式等典型特征。大致存在三种模式的空间架构:一是以当代中国历史为框架和民族集体记忆为基础的宏大空间,二是以个人经历或记忆为基础的写实性的空间设置,三是超越了现实社会的超验性空间设置。空间意象的分化源于启蒙叙事意义结构的松动,也受制于启蒙叙事中不同情节模式。空间意象的营构折射了新时期启蒙叙事的时代印记、意义限度和书写困惑。
Literature of the new period, inheriting the enlightenment tradition of literature of the ＂May 4th Movement＂ and continuing to employ the specific spatial image--＂an iron-roofed hut＂, is characterized by the power system of highlighting caste order, by the closed and narrow pattern of manifestation, and by the stagnant and isolated mode of existence, etc. There are roughly three types of spatial frameworks： the macro-space modeled after contemporary Chinese history and based on national collective memory, the realistic spatial setup based on personal experiences or memory, and the transcendental spatial setup beyond the Social reality. The stratification of spatial images, stemming from the laxity in the semantic structure of enlightenment narrative, is also subject to various plot modes of the enlightenment narrative. The establishment of spatial images has mirrored the epochal imprint, the sense limit and the writing bewilderment of the enlightenment narrative in the new period.
出处
《海南师范大学学报（社会科学版）》
2007年第4期38-42,共5页
Journal of Hainan Normal University(Social Sciences)
基金
浙江省社会科学规划项目(编号:205102-S20501)
关键词
新时期文学
空间意象
启蒙叙事
literature of the new period
spatial images
enlightenment narrative
