摘要
通过对龙门石窟造像的考察,本文认为擂鼓台南、中洞两窟是以《华严经》和《梵网经》为中心的华严系受戒世界的产物。擂鼓台南洞,表现的是以卢舍那佛为主尊像的《华严经》和《梵网经》的佛理世界,当时在擂鼓台南洞曾举行过受戒必须要进行的宗教实践法会"好相行"。其附近的中洞与大乘戒有密切关系,中洞佛像有被武则天自称是其形象化身的弥勒佛像以及具体体现大乘戒所注重的师资相授的祖师像。擂鼓台南洞和中洞的设计营造者是武则天的亲信、华严宗第三祖同时也具有阿弥陀信仰的法藏。
By a careful iconographic investigation on-site,this article identification the fact that the presentations in the southern and the middle chamber of Leitai Cave are representation of ceremonial rule for confession and receive ordination of Avatamsaka,textual proof mainly based on Buddhāvatamsaka-mahāvaipulya-sūtra and Brahmajāl-sūtra.The motif of the southern chamber was a law Buddha-realm of Buddhāvatamsaka-mahāvaipulya-sūtra and Brahmajāl-sūtra,the school had worshipped Vairochana as chief image of Buddha which were just found to be presented in southern chamber,there are certain signs convinced the fact that once the site had perform Buddhist ceremonies that ceremonial rules and commandments conveying beings to salvation'a good appearance cultivation'and to serving the Buddha with offering of good signs.The contents of the middle chamber nearby has much closer relationship with the Mahayana commandments or prohibitions for Bodhisattvas and monks,in which the chief image of Buddha was Maitreya,who was believed to be announced to be empress WU Zetian's emanation body,and the image of a patriarch,which was embodied idea of traditional dhyana.The constructive designer of the two chambers was Fa Zang(643-712),the third patriarch of the Hua-yen school,empress WU Zetian's revered and trust Buddhist master who believes in and submits himself to Amitabha at the same time too.
出处
《敦煌研究》
CSSCI
北大核心
2009年第3期7-15,125-127,共12页
Dunhuang Research
