摘要
"家庭三部曲"是李安电影的经典之作,也是华语电影中不可忽视的电影作品。利用电影叙事学这一话语理论分析可知,"家庭三部曲"中李安非常讲究时长的安排,往往通过刻意放慢叙述节奏,使叙事时间与故事时间相对重合,以凸现叙事重点;通过"以一遍话语表示类似事件反复发生的重复叙述,以空间的叠加造成时间上不断循环、无限重复的艺术效果",从而实现其深刻的叙事意图。
Ang Lee＇s Trilogy, one of the classics of his works, can not be overlooked among Chinese movies. In the films, Ang Lee paid particular attention to the arrangement of the length of time. By deliberately slowing down the narrative rhythm, he made the narrative time relatively overlapping the story time; by using one discourse to repeat the narrative of the occurrence of similar events, and by circling time with space overlapping, he arrived at the effect of endless repetition and his profound narrative intention.
出处
《西南交通大学学报（社会科学版）》
2009年第4期39-42,共4页
Journal of Southwest Jiaotong University(Social Sciences)
关键词
“家庭三部曲”
叙事时间
时长
时频
Ang Lee＇s Trilogy
narrative time
the length of time
the frequency of time
