摘要
元范畴是学科原型。生态审美场,以艺术审美场为逻辑原点,以生态艺术审美场为逻辑发展,以天生艺术审美场为逻辑终结,达成了与生态美学逻辑疆域和历史时空的同一,成为其元范畴。它在审美场的历史发展中形成,成为人类美学的结晶。它既超越了以往美学审美时空的局限、审美距离的局限、审美疲劳的局限,又超越了时下文化美学审美泛化的局限、生态缺失的局限,形成了生态审美自由,表征了人类美学的当代创新与发展。
The original category, is the archetype of a discipline. The ecological aesthetic field becomes the original category, with the sameness of the ecological aesthetic logic realm and the historical space - time by taking the artistic aesthetic field as its logical origin, the ecological artistic aesthetic field as its logical development and the inherent artistie aesthetic field as its logical end. It grows in the historical evolution of the aesthetic field and becomes the rime of human＇ s aesthetics. It not only transcends the preceding limits of the aesthetic space - time. the aesthetic distance and the aesthetic fatigue, but also transcends the present limits of the cultural aestheticization and the ecological shortage, forming the ecological aesthetic freedom and manifesting the contemporary development and innovation of human＇s aesthetics.
出处
《鄱阳湖学刊》
2009年第3期61-69,共9页
Journal of Poyang Lake
关键词
元范畴
生态审美场
审美自由
original category
ecological aesthetic field： aesthetic freedom
