摘要
本文从汉字中与妇女性别相关的"后"、"好"、"男"、"女"、"夫"、"妇"等文字入手,论证了中文汉字在造字和训释过程中,男尊女卑观念所造成的对女性的歧视和贬抑;论证了在长达数千年的岁月里,妇女在汉语言文字中被咀嚼成"贱"和"内"的身份和角色;论证了中国封建文学史书写对古代闺阁文学的歧视和排斥;论证了晚清末年秋瑾的出现,以其历代才女所罕见的豪放雄健的诗词,宣告了一部中国传统女子文学史的终结。
This article,by surveying many Chinese characters concerning the female gender,puts forward the view that the creation and evolutions of Chinese characters were heavily influenced by the traditional idea of ＇Women are inferior to men.＇ In thousands of years,women＇s status was merely auxiliary. Because of the rejection of feudist historical books,there was no subjective consciousness or independent personality in feminine Chinese literature before the 20th century. However,with her wonderful unique poems,Qiujin,in Late Qing Dynasty,announced the end of the traditional feminine Chinese literature.
出处
《山西大同大学学报（社会科学版）》
2010年第5期38-42,105,共6页
Journal of Shanxi Datong University(Social Science Edition)
关键词
女性文化
汉语言文字
古代闺阁文学
女子文学史
历史考察
feminine culture
Chinese characters
ancient boudoir literature
woman literature history
historical survey
