摘要
本文试图将赵本山品牌的电视剧作为一种文化现象进行分析和阐释,探讨不同时期赵本山电视剧创作意识和历史功能的不同形态,从而凸显赵本山所创造的以俗为雅、以丑为美、以傻乐为娱乐的反智主义市侩美学的内涵。
This paper would analyse and interprete the TV drama program named ＂Zhao Benshan TV series＂ which is being seen a cultural text to argue the different formations of its idear or infection in different ages.This paper explores meanings that the vulgar culture had been turned to hight culture,the clown works had been turned to the pleasure works.So the ＂pleasure politics＂ uses spectacle as its weapon to repress the paradoxical critical impulse in traditional mass culture.The pleasure in mass culture has become a new form of the ideology,which people thought they would get rid of.
出处
《南京社会科学》
CSSCI
北大核心
2010年第12期113-120,共8页
Nanjing Journal of Social Sciences
基金
国家社科基金重大项目“中华民族共有精神家园建设研究”(07&ZD038)的阶段性成果
关键词
赵本山
电视剧
现实主义
傻乐主义
反智美学
Zhao Benshan
TV play
realism
gigglism
anti-intellectuall aesthetics
