摘要
文章通过对符号学理论的历史回溯与实例分析,阐述了后工业社会背景下视觉艺术及建筑美学的嬗变规律,并指出后现代思潮中两种重要思想的一般特征和差异。
Based on the historical recollection and example analysis of semiology theory,the article expounds the change rule of visual art and architectural aesthetics in the context of post-industrial society,and points out the general characteristic and difference that exist in the important two of postmodern thoughts.
出处
《福建建筑》
2011年第5期20-23,共4页
Fujian Architecture & Construction
关键词
后工业社会
符号学
视觉艺术
拼贴
隐喻
Post-industrial society Semiology Visual art Collage Metaphor
