摘要
作为20世纪西方文论中的重要思潮,中国的叙述学(叙事学)研究已经进入到一个崭新的发展阶段,叙述学理论正在被越来越多地应用于影视、绘画以及法律等诸多领域。电视剧《潜伏》的收视率屡创新高,堪称近年来少有的谍战佳作,其热播引人深思。该剧巧妙地采用了类型融合的叙述策略,主要体现在叙述语言、叙述视角和叙述结构上。本研究结合叙述学和电影学中的叙述理论,不仅对该剧的叙述语言和叙述视角进行了审美解读,而且从线索、主题、时空、情节和人物等方面对该剧的叙述结构加以阐释和归纳,指出该剧的热播主要归功于幽默睿智的语言,"限知、平视"的视角,"信仰、爱情"交织的主题,详略得当的时空幅度,曲折离奇的情节以及丰满鲜活的人物形象等。
As one of the significant intellectual currents in the 20th western literary theory,the research on narratology in China has stepped into a new developmental stage.The narrative theory has been increasingly applied to the fields such as movies and televisions,paintings,and laws.It is thought provoking that the audience ratings of the TV series,The Mole,as the competitive spy TV play,have reached new highs repeatedly in recent years.The play skillfully adopts the narrative strategy of genre integration,mainly reflected in the narrative language,the narrative point of view and the narrative structure.Combining the narrative theory of narratology and filmology,this study is not only the aesthetic interpretation of the narrative language and the narrative point of view,but also the elaboration and generalization of the narrative structure concerning the clues,the themes,the time and space,the plots and the characters,which may help to illustrate that The Mole＇s popularity is attributed to the humorous and tactful language,the limited and parallel point of view,the theme of faith mingled with love,the well-ordered time and space,the absorbing story plots and the vivid characters.
出处
《重庆邮电大学学报（社会科学版）》
2012年第1期79-82,共4页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
关键词
《潜伏》
叙述学分析
叙述语言
叙述视角
叙述结构
The Mole
narrative analysis
narrative language
narrative point of view
narrative structure
