摘要
以心理空间理论(Fauconnier 1994,1997;Fauconnier&Turner 2002)为基础,通过对浪漫主义诗人华兹华斯的诗歌《孤独的刈麦女》的分析,认为诗人在创作过程中不断的建立心理空间并发生空间概念的整合,而其诗作便是诗人用语言文字的形式对其心理空间和概念整合的过程的还原与映现。通过对其诗歌语言的层层剖析,勾勒出诗人创作时的涉身体验与心理体验,以重现诗歌创作过程中诗人大脑中的一系列认知操作活动。
This paper takes William Wordsworth＇s The Solitary Reaper as an example to illustrate that mental spaces are continuingly built and blended in the process of composing within the framework of Mental Space Theory（Fauconnier 1994,1997;Fauconnier Turner 2002）.And the poem reflects the operations of mental spaces and conceptual integration transformed by language.The in-depth analysis of The Solitary Reaper indicates that his embodied and psychological experience of composing the poem keeps recurring vividly,together with a series of cognitive operations in his mind.
出处
《怀化学院学报》
2012年第7期66-69,共4页
Journal of Huaihua University
关键词
心理空间
概念整合
华兹华斯
诗歌
mental space
conceptual integration
Wordsworth
poetry
