摘要
本文探寻了1930年代发生的"左翼电影文化运动"的主客观因素,认为"左翼电影文化运动"首先是民族危机和社会危机当头的必然事件;其次是中国共产党谋求文化领导权的政治需要;再次是左翼知识分子实现社会革命理想的艺术实践。因此,本文认为尽管"左翼电影文化运动"有一些过激偏向,但即使是"去意识形态化"批评也无法否认"左翼电影文化运动"的历史合理性。这对于政治与艺术关系的认识,对中国电影文化现状的思考都是有重要参考意义的。
This paper explores the subjective and objective factors of the 1930 ＇s ＂Left-Wing Film Culture Movement＂, maintaining that above all the movement is an inevitable event taking place during the national crisis and social crisis, that the movement meets the political needs of the Communist Party to seek cultural leadership, and that it is artistic practice of left-wing intellectuals in the process of realizing social revolutionary ideals. Therefore the paper comes to the conclusion that although＂the leftist cinematic movement＂was a little bit radical, we 6annot deny the historical rationality of＂leftist cinematic movement＂of. This awareness of the relationship between politics and art, is of great significance in terms of reflections on the present situation of Chinese film culture.
出处
《辽宁大学学报（哲学社会科学版）》
CSSCI
北大核心
2013年第2期154-160,共7页
Journal of Liaoning University(Philosophy and Social Sciences Edition)
基金
2012年辽宁省社会科学规划基金立项"左翼电影批评及其对当下中国电影文化发展的启示"(L12DEW009)
2012年度辽宁大学青年科研基金"新论左翼电影批评及其当下意义"(LDQN28)的成果之一
