摘要
采用"接受美学"的观点,将传统的"创作者"为中心转向强调"接受者"的能动参与,强调作品的真正存在表现在它被多样性、动态性、开放性、不确定性、多元性、相对性、创造性地解读过程中。重点从接受者、聆听者的角度,分析红歌《十送红军》风格转变的原因和具有的时代价值,对这首民族作品的流行化道路给予肯定并鼓励创新,使其在原有数亿听众的基础上,吸引更年轻的受众群体,同时满足听众不同的审美需求,共同唱响心中最红的歌。
＂Reception Aesthetics＂ emphasizes the switch from the original ＂composer＂ to the active participation of ＂receiver＂. It lays much stress on real existence of the works which lies in the process of its diverse, dynamic, open, multi-aspects, relative and creative interpretation. Based on this theory, this paper analyzes the song ＂Farewell to Red Army＂ and pays special attention to the reasons of this song＇s change in style and its value in different times from the perspective of receiver or audience. The paper recognizes the successful practice to popularize this folk song and encourages its innovation for the purpose of drawing more attention from the younger generation while still retaining millions of original audiences＇ interest, so as to cater to different audiences＇ aesthetic needs and strike the chord among different people.
出处
《东华理工大学学报（社会科学版）》
2014年第1期39-42,共4页
Journal of East China University of Technology(Social Science)
基金
江西省2011年度社科规划项目"中央苏区红色音乐研究"(YG2011036)阶段性成果
关键词
接受美学
十送红军
风格
时代价值
Reception Aesthetics, Farewell to Red Army, style
value in different times
