摘要
在南京和上海两地成功举办的"毕业于美国宾夕法尼亚大学的中国第一代建筑师"展引发了对中国建筑教育的"布扎"传统的各种探讨。在重新评估"布扎"的影响时我们或许忽略了一个最基本的事实,即"布扎"原本是一所美术学校。它究竟是有名无实——只是建筑学的寄身之所,还是名副其实——赋予建筑学某种特质?若是后者,那么美术又是以何种方式来影响建筑教育?此外,这样的讨论对于我们当今的建筑教育又有何特别的意义?文章尝试就这些议题做出回答。
The success of the exhibition "First Generation of Chinese Architects Trained at University of Pennsylvania" held in Nanjing and Shanghai has provoked various discourses on the Beaux-Arts tradition in Chinese architectural education. When reevaluating the Beaux-Arts influence we might forget one basic fact that it was originally a fine art school. Is it only a name under which architecture is located? Or, is it substantial enough to make architecture a special kind of education?If the later is true, then how does fine art education influence architectural education? In addition, how does the discussion relate to the contemporary development of Chinese architectural education? The paper tries to answer all these questions.
出处
《时代建筑》
2018年第6期18-23,共6页
Time + Architecture
关键词
布扎
美术学院
建筑教育
准确性
如画
Beaux-Arts
Art Academy
Architectural Education
Correctness
Picturesque
