摘要
新疆的岩画大多分布在水草丰美的夏牧场和冬牧场,以冬牧场最多。基本分如下四类:一是图腾岩画艺术的"萌动期";二是狩猎、放牧、征战、娱乐等活动岩画艺术的"成长期";三是战争岩画艺术的"发展期";四是岩画内容内涵和外延不断扩容的"丰富期"。这些记录了他们的草原游牧生活的"记忆",成为游牧人可信的叙事史诗。
Most of rock arts in Xinjiang distributes around the lush summer meadows and winter meadows,especially the winter meadows. It can be classified into four types： the first is totem rock art in the bud stage; the second is activity（including hunting, pasture, war and entertainment etc.） rock art in the growth stage; the third is war rock art in the developing stage, and the fourth is the enrichment stage for continuous extension of the content, connotation and boundary of rock painting. The memories of people＇s nomadic lives in the prairie have been recorded through these rock arts, thereby these rock paintings have become a kind of narrative poem of the tribes.
出处
《新疆艺术学院学报》
2014年第3期17-20,共4页
Journal of Xinjiang Arts University
基金
2010年国家社会科学基金艺术学项目"转场--新疆哈萨克族游牧生活研究"(10EG113)阶段性成果之一
关键词
新疆岩画
游牧人
史诗
Xinjiang rock painting
Nomads
Epic
