摘要
成都话连读变调与韵律结构存在紧密的联系:韵律词"首重"的韵律结构是连读变调的根本触发机制,而连读变调是实现韵律结构的一种形式。分析成都话和绍兴话韵律重音的不同实现方式,文章预言:任何具有时长对立的语言,都不可能系统地采用时长突显,而只能主要依靠音高突显来实现韵律重音;任何具有时长对立的声调语言,为了实现一定的韵律结构,都一定会发生变调。
There is a close relationship between tone sandhi and prosodic structure in Chengdu dialect:the head-initial structure of prosodic word constitutes the trigger for tone sandhi;whereas the latter is the manifestation of the former.By comparing the different manifestation of prosodic prominence between Chengdu dialect and Shaoxing dialect,the paper predicts any language that has a contrast in length of sound cannot manipulate syllable duration and must resort to the use of pitch to realize prosodic prominence,and that any tone language that has a contrast in length of sound must undergo tone sandhi in order to realize its prosodic structure.
出处
《汉语学报》
CSSCI
北大核心
2015年第2期36-44,95-96,共9页
Chinese Linguistics
基金
教育部人文社会科学青年基金项目"韵律音系学研究:以成都话为例"(编号:13YJC740074)
西南民族大学研究生学位点建设项目"外语语言文学"(编号:2014XWo-S0502)的阶段性成果
关键词
成都话
韵律结构
连读变调
Chengdu dialect
prosodic structure
tone sandhi
