摘要
In Spain, the historical context of the sixties was experienced as a particularly changing one. Gone were the post-war years, and with them the autarchy, poverty and famine, characteristics of that time. After a transitory fifties decade, the country entered a prosperous time, which is known as the develompentism sixties--desarrollismo. The franscoism itself promoted this change. Meanwhile, it became a mandatory to guide the population so the fostered modem life did not imply, among other issues, an abandonment of the traditional gender order. Popular cinema played a key role in that objective. Particularly tourism narratives had direct implications on the renewed way to understand gender identities. In this article we will approach two blockbusters, as representative examples of the mainstream films productions, through which analyse how masculinity and femininity were screened and considered.
