摘要
舞蹈人类学并非一个独立的学科,也并非舞蹈研究和文化人类学简单的嫁接,二者在研究理路上恰好有相似相近的方向,最终有了交叉相会的地方。舞蹈人类学没有严密的学说体系和流派,没有特有的范畴和标准,而是将边界落在具体的个案研究、专业经验和对其他学科的借鉴总结中;作为方法论的文化人类学在被应用于舞蹈研究时,并非中立的,其背后有意识形态的立场;在中国舞蹈的经验内外,有许多地方值得剥离开来重新审视和反思其中的理论实践。
Dance anthropology is not an independent discipline, neither is it a simple combination of dance studies and cultural anthropology. These two disciplines share the similar research area so that they meet together in some topics. Dance anthropology has no rigorous theoretical system and schools, and has no its own category and criterion as well; rather, it is embodied in specific cases, professional experiences and employment of two above disciplines. When being used as methodology in dance studies, cultural anthropology is not neutral because of various ideologies behind it. Therefore, it is necessary to rethink theoretical practice in dance studies based on Chinese experience.
出处
《民族艺术研究》
CSSCI
2016年第6期130-136,共7页
Ethnic Art Studies
