摘要
20世纪 70年代 ,后现代艺术继续并超越于现代艺术而兴起。它以多变和新异而引人注目。后现代主义追求纯粹客观性的美感个性 ,它更多地将视线投向审美客体方面 ,追求“无感情” ,“无个性”为内涵的所谓“极端客观性” ;后现代艺术对生活的关注和远离生活的矛盾二重性 ;后现代艺术带东方特征的空无、无界限境界的审美意向 ;后现代艺术作品充分地估计、认识到了参观者的创造性 ,创作中引入观众的参与 ,或者每个参观者都成了作品的一个不可或缺的部分 ;后现代艺术关注人的因素 。
In the 1970s,the post-modernism continued to surpass the modernism and developed well.It was very noticeable for its constantly changing and difference.The post-modernism sought the esthetic characteristics of the pure objectivity,and it was more concernsed with the esthetic object.The so-called completely objectivity was based on 'no-emotion'and'no-personality'.The post-modernism has the duality of the contradiction that concerns but goes beyond life,and it has the esthetic intention of conception which is oriental and abstract and no-limit.The works of the post-modernism sufficiently estimated the creativity of visitors,and visitors could participate the activity of creations,or each person becamean indispensable part of one of the works.The post-modernism concerns factors of the human beings and attemts to show special historical culture.
出处
《湛江师范学院学报》
2002年第4期64-67,共4页
Journal of Zhanjiang Normal College
关键词
后现代艺术
审美意向
客观性
审美客体
post-modemism
esthetic intention
esthetic characteristics
