摘要
早期南戏曲词过于俗化,结构过于松散,虽有广大的观众群,但在艺术品质上却很难提高。文人参与创作恰好弥补了这一缺陷。《琵琶记》使南戏的艺术价值得以显现,地位得以提高。明中叶之时的传奇,经过文人的雅化后,无论是结构体制还是曲词宾白,都具有很高的艺术审美价值。《张协状元》有其独特的文学研究价值,作为早期南戏,从中可以得知很多文献资料。与《琵琶记》相比,两者在脚色体制、创作意图、艺术特色以及思想内涵等方面均不同。
Comparison and Analysis of Zhang Xie Zhuang Yuan and Pipa Abstract： the early southern opera lyrics are too vulgarized and the structure is too loose. Although there are large audiences, it is difficult to improve their artistic quality. The writer＇s participation in the creation has just made up for this defect. Pipa has made the southern opera＇s artistic value appear and its status improved. In the middle of the Ming Dynasty, after the elegance of literati, the structural system, the lyrics and the spoken parts have high artistic aesthetic value. Zhang Xie Zhuang Yuan has its unique literary research value. As an early southern opera, we can learn a lot from the literature. Compared with Pipa, they are different in their system, intention, artistic characteristics and ideological connotation.
作者
魏偲
Wei Cai(Hubei University, Wuhan, Hubei 43000)
出处
《职大学报》
2018年第3期79-84,共6页
Journal of the Staff and Worker’s University
关键词
张协状元
琵琶记
脚色体制
创作意图
思想内涵
Zhang Xie Zhuang Yuan
Pipa
role system
creative intention
ideo-logical content
