摘要
物件从原生场所转移到博物馆后,物件意义的生成会导致意义变形。物件的意义变形,打破了真实再现的理想。庙宇中的一部分宗教物件被赋予了神圣性,但是当宗教文物转移到博物馆之后,便会产生意义变形。以"深河远流——南传佛教文化特展"为例,宗教物件从庙宇到博物馆展览,再配合网络在线展示,宗教物件的神圣意义转变为知识性、美学性以及娱乐性。为了建立物件与神圣性的关联,策展方可以通过现地保存、举行宗教仪式、展示原生环境的场景、营造神圣氛围等手段来达到加强物件与原生文化脉络联系的目的。
The object being transferred from its original place to the museum causes the generation of new meanings,which leads to the meaning transformation of the object.The meaning transformation of the object breaks the ideal of authentic representation.When a temple object,which has often been endowed with a sense of sacredness,is placed in a museum as a religious exhibit,meaning transformation of this object occurs.For example,in the exhibition A Deep River Runs Far,when the objects which were originally from temples were displayed in a museum setting or online,their meaning of sacredness was turned to be more of knowledge,aesthetics,and entertainment.For religious objects being presented in museums,curatorial approaches such as preservation and exhibiting in situ,holding religious ceremonies,reproducing the scenes of their original context,or creating an atmosphere of sacredness may help build the connection between these objects and their meaning of sacredness and strengthen the relevance to their original cultural contexts.
作者
李精明
LI Jing-ming(College of Art and Design,Putian University,Putian,Fujian,351100;Graduate School of Arts Management and Cultural Policy,National Taiwan University of Arts,New Taipei,Taiwan,22058)
出处
《东南文化》
CSSCI
北大核心
2019年第6期111-118,共8页
Southeast Culture
关键词
博物馆展览
宗教文物
网络展示
真实再现
意义变形
原生文化脉络
神圣性
场所
museum exhibition
religious objects
online display
true reproduction
meaning transformation
original cultural context
sacredness
place
