摘要
非遗时代的到来,使得传统手工艺重回大众视野并受到普遍关注。传统手工艺的创新问题始终是研究的热点和实践的难点。作为一项传承时期较短、传承人群较少、传承模式传统的刺绣工艺,乱针绣清晰的历史发展脉络与当代实践,为理解传统手工艺创新的发生过程及其与传统的关系提供了新的视角与启发。传统并非是静态的、孤立的,而是一个动态的、群体化的过程,其中蕴含着创新的因素。乱针绣的创立本身即是创新,是实践主体基于传统作出的自觉性的突破。在社会转型期,创新往往是实践主体被动的应对性的选择,要坚持在传承中创新的原则。回归生活是当前传承与创新传统手工艺努力的方向,与此同时要注重对其艺术性的保护。
The advent of the era of intangible heritage has brought traditional handicrafts back to the public eye and made it more conspicuous.The innovation of traditional handicrafts has always been the research hotspot and the difficulty of practice.As a traditional embroidery technique with a short period of inheritance,few inheritors,and a traditional inheritance mode,Crewel Embroidery,together with its clear historical development and contemporary practice,provides us with a new perspective to understand the innovation process of traditional handicraft and its relationship with tradition.Tradition is not static or isolated,but a dynamic and collective process,which contains innovative factors.The creation of Crewel Embroidery is an innovation in itself,a conscious breakthrough made by the subject of practice on the basis of tradition.In the period of social transformation,innovation is often a passive and responsive choice of the subject of practice.We must adhere to the principle of innovation while inheriting from tradition.Returning to life is the current direction for us to pass on and innovate the traditional handicraft,but we should not overlook the protection of its artistry at the same time.
作者
姚紫薇
狄静
YAO Ziwei;DI Jing
出处
《湖北民族大学学报（哲学社会科学版）》
CSSCI
2020年第2期101-106,共6页
Journal of Hubei Minzu University：Philosophy and Social Sciences
基金
中央高校基本科研业务费项目“城市非遗保护的伦理记忆研究”(2017ECNU-KXK018)
关键词
传统手工艺
非物质文化遗产保护
乱针绣
traditional handicrafts
protection of intangible cultural heritage
crewel embroidery
