摘要
近百年来,艺术学中国学派被一再提起。今天的艺术学中国学派的建设需要在全球视野和当代美学下进行,它们既有别于一百年前的国际视野和现代美学,也有别于五十年前的世界视野和后现代美学。今天的艺术学中国学派建设的目标,是将中华美学精神和人类命运共同体意识结合起来,创造出属于这个时代的艺术作品和艺术理论。
Over the past century,the Chinese school of artistic science has been mentioned again and again.The construction of the present-day Chinese school of artistic science should be carried out in the global vision with contemporary aesthetics,which is different both from the international vision of a century ago with modern aesthetics,and from the worldwide vision of fifty years ago with post-modern aesthetics.The goal of the construction of the present-day Chinese school of artistic science is to integrate the spirit of Chinese aesthetics with a consciousness of the community with a shared future for mankind,and to create art works and art theories that belong to this era.
作者
彭锋
Peng Feng(School of Arts,Peking University,Beijing 100871,China)
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2021年第4期104-111,共8页
Journal of Peking University(Philosophy and Social Sciences)
基金
国家社科基金艺术学重大项目“中国乐派研究”(项目编号:19ZD13)的阶段性成果。
关键词
艺术学
中国学派
国际
世界
全球
artistic science
Chinese school of thought
international
worldwide
global
