摘要
呼和浩特市清水河县塔尔梁壁画墓是内蒙古自治区近年来发现的保存较好的壁画墓,壁画内容包括夫妻宴饮、出行、耕作、庖厨、孝子故事等内容外,还发现了描述丧葬场景的画面,以及隋唐以来大量出现的神煞类镇墓题材,但至唐末五代时期,北方地区鲜见,且题材的表现方式发生了变化,以往研究不深入,对壁画的内涵知之甚少,导致认知不明和诸多错误,有幸得到专家指点,今重新对之进行梳理和补正,对内蒙古沿黄流域五代时期的葬俗、民风、民俗和人们的生活、精神追求等提供客观的资料。
Ta’er Liang mural tomb is a well-preserved tomb discovered in recent years in Inner Mongolia.Mural content in addition to couples feasting,travel,farming,kitchen,and stories of filial piety,images describing funeral scenes were also found,as well as a large number of gods and goddesses that have appeared since the Sui and Tang dynasties.Such themes are rare in the late Tang and Five Dynasties period in the northern region,and the presenting way of the themes have changed.Due to the lack of research and understanding of the connotations of the murals,which led to many errors,we are fortunate to receive expert guidance,and now we are reorganizing and correcting the mural tombs to provide objective information on the burial customs,folk customs and people’s lives and spiritual pursuits during the Five Dynasties period along the Yellow River basin in Inner Mongolia.
作者
党郁
Dang Yu(Institute of Cultural Relics and archaeology in Inner Mongolia)
出处
《草原文物》
2021年第2期58-69,共12页
Steppe Cultural Relics
关键词
塔尔梁砖室壁画墓
五代
内容补正
the Ta’er Liang Mural Tomb
the Fifth Dynasty
Correction of Content
