摘要
人工智能通过算法生成的艺术作品日益增多,提出了新技术与艺术如何融合、艺术的主体性如何彰显等深层次问题。AI介入艺术,应充分认识到其仅仅是人类进行艺术创作的新途径。艺术的本质是人作为主体的关于自身机能的一切审美创造,而是否依托新科技作为载体并不是标志性的关键要素。AI智能体的出现可以被理解为人类在进化中的一个正常现象,新技术是人类主动运用科技智慧缩短自然淘汰的主动选择。理性仅仅是人性的一部分而不是全部,人性除了科学理性之外还有思性和情性,因而,中国当代艺术的理论研究和文化研究,必须进入世界前沿的科学、艺术、文化的同步语境,将科学观和艺术观并置,让人工智能等新技术赋能艺术。
With art works increasingly generated though artificial intelligence algorithms(AI),deep-seated problems emerge as how to integrate new technology and arts,and to highlight art subjectivity.It is critically important to fully realize that AI,though involved in arts,remains only a new option for human artistic creation.The essence of arts is still all the aesthetic creation with mankind functioning as the subject.AI is not necessarily a key and symbolic element whether new technology is employed as the carrier.The emergence of AI agents should be understood as normal in human evolution process.Human beings actively and willingly choose to employ scientific and technological wisdom to shorten the natural elimination.Besides its scientific rationality,which is only part of human nature,it also includes mental work and emotion.Therefore,the theoretical and cultural research of Chinese contemporary art must enter into the synchronous context of science,art and culture,all lying at the forefront of the world.A juxtaposition of scientific and artistic viewpoints enables new technologies such as artificial intelligence to empower art.
作者
张富利
ZHANG Fuli(School of Law, Fujian University of Technology, Fuzhou, Fujian, 350118)
出处
《南京理工大学学报（社会科学版）》
2022年第1期46-60,共15页
Journal of Nanjing University of Science and Technology：Social Sciences
基金
2019年教育部人文社会科学研究项目“民法典编纂视野下人工智能侵权责任研究”(19YJC820079)。
关键词
人工智能艺术
科学
艺术
artificial intelligence arts
science
art
coordination
empowerment
