摘要
秦始皇的7篇刻石往往被视为一个公式化的整体,但实有3次书写转向,映射出秦始皇自我神化与塑造中央权威的复杂过程。其在东方名山进行具有秦国特色的立石,表达秦文化对东方世界的征服并宣示东方归属的政治景观。秦始皇统一天下后萌生特殊的创始意识,秦国故事与帝国新政的区分成为重要的政治语境,歌颂新政成为景观铭文的理想设计。但是峄山刻石中渗入儒生的观念,体现皇权与儒学的博弈,在史书中被抹除。后4篇刻石偏离了最初的设想,增加了激烈的征服表达。会稽刻石则是秦始皇后期总结平生功业的书写。
The seven stele inscriptions of the First Emperor are often discussed as a formulaic whole,but there are actually three writing turns that reflect the process of the First Emperor's self-deification and the shaping of central authority.Erecting stones was a tradition of the steppe culture that influenced the Qin state in the first place.Therefore,the practice of erecting stones in the famous mountains of the East was a way to declare the conquest of the East by the Qin.After the unification,the First Emperor imagined himself as a unique creator and the distinction between the old traditions of the Qin state and the new policies of the empire became an important political issue.The glorification of the new policies of the empire underlined the design of the new political landscape.However,Confucian idea permeated the Yishan(峄山)inscription,reflecting the competition between imperial power and Confucianism.That inscription was not recorded in the later historical books.By adding intense expression of conquest,the other four inscriptions deviate from the original design.The last inscription in Kuaiji(会稽)summed up the life-time achievements of the First Emperor.
作者
李腾焜
Li Tengkun(School of Liberal Arts,Nanjing University,Nanjing,Jiangsu,210023,China)
出处
《古代文明（中英文）》
CSSCI
2022年第4期80-88,M0005,共10页
The Journal of Ancient Civilizations
基金
南京大学优秀博士研究生创新能力提升计划B资助。
关键词
秦始皇刻石
故事
新政
创始意识
书写转向
The stele inscriptions of the First Emperor
old practice
new policies
sense of creation
writing turn
