摘要
本文着重讨论当下策展在面临科学技术的双重夹持下,如何利用其特殊属性来自我更新和发展。在此,笔者提出了三个方向,一方面,策展将人工性与智能的“人工性”相互穿插,形成新的策展价值体系。其次,策展在当下更需要利用好公共社交作为思想的沃土,与社会日常发生碰撞。最后,策展要将“线下”和“线上”两种方式形成相互补充、各自独立的姿态。只有这样,策展才能有技术未来和社会性视野。
This article focuses on how curating utilizes its special attributes to self-renewal and development when it faces the pincer movement from science and technology nowadays.Here,the author comes up with three directions.Primarily,curating makes artificiality and intelligent“artificiality”be interspersed with each other to form a new curating value system.In the next place,curating needs to take advantage of public communication as fertile ground for thoughts than before,which collides with social daily life constantly.In the end,it is necessary for curating to combine“offline”with“on-line”to form a state of completing each other and being independent respectively.Only in this way,would curating have a technological future and a social view.
出处
《当代美术家》
2022年第5期28-33,共6页
Contemporary Artists
关键词
人工智能
公共社交
互联网
策展
Artificial Intelligence
public communication
internet
curating
