摘要
《深海》作为一部反应现实儿童的“抑郁症”动画电影,在表现主人公所处灰暗现实空间的基础上,建构了与现实世界相反的“亦梦亦真”七彩梦境空间,借以意识流与隐喻的叙事方式来映射儿童内心真挚的情感世界。另外,电影借以“儿童叙述”与人物“抱团取暖”的方式来作为现实叙事基点,通过南河与参宿的双向救赎,完成了人物塑造与情感的现实升华。并在视听表达上,在开创了极富感染力的水墨粒子视觉奇观时,又为电影音乐注入人物主题,赋予了生命情感力量。
Deep Sea,as an animated film depicting the reality of childhood“depression”,constructs a contrasting“dreamlike yet real”colorful dream space on the basis of the protagonist's bleak reality and maps the sincere emotional inner world of children's by means of stream of consciousness and metaphorical narrative.Meanwhile,the film establishes a narrative foundation in the form of“child narration”and the characters’“unity for warmth”,ultimately to achieve character development and emotional catharsis through the dual redemption of Nanhe and Can Xiu.Additionally,the film pioneers highly evocative ink particle visual effects,while infusing the music with the matic elements that breathe life and emotional power into the story.
作者
徐锦博
李妍莹
XU Jin-bo;LI Yan-ying(School of Film Television and Animation,Chengdu University,Chengdu 610100,Sichuan)
出处
《湖北工业职业技术学院学报》
2023年第3期50-56,共7页
Journal of Hubei Industrial Polytechnic
基金
四川省哲学社会科学重点研究基地文化产业发展研究中心课题“中国动画学派产业发展与转型升级研究”(WHCY2022B02)阶段性研究成果。
关键词
电影《深海》
空间建构
现实写照
视听元素
现实主义
Deep Sea
spatial construction
realistic depiction
audio-visual elements
realism
