摘要
为了塑造出一个可视的中国国家形象,从1964年的《东方红》到2021年的《伟大征程》,先后由国家主导创作了五次大型“史诗”。这是运用“史诗”的方式,向全世界展示中国共产党领导人民通过革命谋求幸福的重要标志性艺术作品,是基于对新秩序的渴望以及生产凝聚力的要求,它们在意识形态的范畴内架构民众对政治的信任和热情。通过对五次“史诗”的观察发现:中国国家形象的演进过程,既有着一致性,又各有特点。五次“史诗”将国家形象及文化符号分解为多种元素融入作品中,以充满创意与活力的方式进行表达。从板块化的叙事方式,呈现出国家文化的演进和流动,标志着中国故事的演进方式发生了较大改变。这种演进过程是中国在综合国力迅速增强之后激发出文化自信的充分显现。这对于新时期中国对红色文化的传播工作有着重要的启发性意义。
In order to create a visual image of China,five large-scale“epic”poems were created by the state from“Dongfang Hong”in 1964 to“The Great Journey”in 2021.This is an important landmark art work to show the world that the CPC leads the people to seek happiness through revolution by means of“epic”.It is based on the desire for a new order and the requirements of production cohesion.They build people’s trust and enthusiasm for politics within the scope of ideology.Through the observation of the five epic poems,we can find that the evolution of China's national image has both consistency and characteristics.The five“epics”decomposed the national image and cultural symbols into various elements and integrated them into the works,expressing them in a creative and dynamic way.The development and flow of national culture are presented from the plate narrative mode,which marks a great change in the evolution mode of Chinese stories.The main reason for this evolution process is that China has stimulated the full display of cultural selfconfidence after the rapid enhancement of its comprehensive national strength.This is of great significance to the dissemination of red culture in China in the new era.
作者
于大雪
王那
Yu Daxue;Wang Na(Capital Normal University,Beijing 100048)
出处
《中国舞蹈学》
2023年第1期306-314,366,367,共11页
CHOREOLOGY IN CHINA
关键词
叙事逻辑
史诗
文化自信
国家形象
Narrative logic
Epic culture
Self-confidence
National image
