摘要
文章由“时间箭头”这一广义的话题驱动,通过参考哲学(认识论)和科学(热力学)作为时间箭头词源意义上的上游,论述了时间箭头的两个具体性质:可区分性以及唯一指向性。文章以这两个性质为锚点,分别展开了对应的音乐命题并应用于具体的案例分析:对于可区分性,文章关注了音乐中的“复现”,从“诞生/重生”这一概念对切入,对巴赫的《圣诞节清唱剧》的定位试作新的解读;对于唯一指向性,文章论述了音乐中高点的后移,提出“AB-AAB左偏向模型”,将音乐的时间结构(例如曲式)看作动态生长过程的产物,并因此埋下一个有机主义(organicism)的伏笔。
Driven by the term“the arrow of time”as a general topic,the article develops a musical discussion by referring to the etymological origin of the term:philosophy(epistemology)and phys-ics(thermodynamics).In particular,the article explores two specific conditions:distinguishability and unique orientability,from which the article derives respective musical propositions and case studies.For the distinguishability condition,the article focuses on the“recurrence”in music and tries to interpret Bach's Christmas Oratorio from the perspective of“birth/resurrection”.For the unique orient-ability condition,the article discusses the process of delaying the climax,thereby proposing“AB-AAB left-replication” model,implying an organicist view by treating the temporal structure of music(e.g.form)as the product of a dynamic process:organic growth.
出处
《北方音乐》
2023年第3期54-69,共16页
Journal of the Northern Music
关键词
时间箭头
有机主义
申克分析
认识论
热力学
曲式
奏鸣曲式
the arrow of time
organicism
Schenkerian analysis
epistemology
thermodynamics
sonata form
