摘要
“边缘之城”曾是第六代导演所塑造的典型城市影像,近年来重庆受到国产犯罪悬疑剧的偏爱而成为新一代“边缘之城”。此类城市影像从东部大都市向重庆的跨时代、跨地域迁移现象,可被诠释为第三空间的流动。通过对爱奇艺“迷雾剧场系列”进行话语分析,研究发现“边缘之城”的流动源于边缘之地重庆和边缘之剧犯罪悬疑网络剧的策略性接合,重庆与网络自制模式的双重边缘性包裹了现实主义批判题材的锋刃。第三空间流动所达成的跨地性接合,既意味着边缘与中心的非均衡联结,对应了区域经济文化的不平衡现状,也指向了借助情感关联达成协商与和解的可能。流动的“边缘之城”最终成为地方性依恋与现代性批判的交融场所。
In recent years Chongqing has been favored by Chinese crime and suspense dramas as“Marginal City”,which used to be a typical city image constructed by the Chineses sixth-generation directors.The flow of“Marginal City”from eastern metropolis to Chongqing that spans eras and regions can be interpreted as the flow of third space.Through discourse analysis on the image of Chongqing constructed by iQIYI s online dramas“Mist Theater”,this study finds that the flow of“Marginal City”is due to the articulation of the marginal place—Chongqing and the marginal TV dramas—crime and suspense online dramas and that the double marginality mitigates the acuteness of critical realism.The translocal articulation achieved by the flow of third space not only means the imbalanced connection between the margin and the center,corresponding to the imbalance of regional economy and culture,but also points to the possibility of negotiation and reconciliation through emotional relevance.The flowing“Marginal City”thus becomes the integrated space of local attachment and criticism of modernity.
作者
蔡竺言
朱丽丽
Cai Zhuyan;Zhu Lili
出处
《媒介批评》
2023年第1期234-248,共15页
Media Criticism
基金
2020年度重庆市社会科学规划培育项目“新媒体时代的‘重庆记忆’建构研究”(项目编号:2020PY21)
南京大学新闻传播学院研究生科研项目“卓越培育计划”(项目编号:2022GYB08)的阶段性成果。
关键词
重庆
城市影像
第三空间
接合
边缘性
Chongqing
City Image
Third Space
Articulation
Marginality
