摘要
张枣诗歌的对话性主要体现在:“对话式”地展开社会人生的探讨,表现诗人强烈的寻觅知音的意识;分裂的主体戏剧化地展示内在矛盾的情思,在二元对立中体现诗人元诗创作的特点;抒叙主体的独白话语中出现另一主体的声音,形成复调的艺术。张枣诗歌的对话性的形成与张枣寻求中国文化的“知音乐趣”、荒原式的生命体验以及他对元诗创作理念的追求等方面都有紧密的联系。
The dialogism of Zhang Zao's poetry is mainly relected in the discussion of social life in the form of dialogue,which shows his strong sense of searching for bosom friends,the split subject dramatizing the inner contradictory feelings and thoughts,which shows his ereation of melapoetry,and the voice of another subject appearing in the monologue utterance of the narra-tive subjeet,which forms the art of polyphony.The formation of dialogism in Zhang Zao's poetry is closely related to Zhang Zao's pursuit of"friendship between bosom buddy"in Chinese culture,his life experience in a wasteland style,and his pursuit of the cre-ation concept of metapotry,
作者
吴正锋
WU Zhengfeng(School of Humanities,Hunan City University,Yiyang,Hunan 413000)
出处
《中国文学研究》
CSSCI
北大核心
2023年第4期193-199,共7页
Research of Chinese Literature
基金
国家社会科学基金项目“现代汉诗的对话性研究”(17BZW163)。
关键词
张枣
对话性
知音
复调
元诗
Zhang Zao
dialogism
bosom friend
polyphony
metapoetry
