摘要
现代白话文学曾建立了一种“新”“旧”对立的文学观。在它的影响下,人们往往更多注意到“新文学”与中国自身传统疏离的一面,进而强调外来文学的影响。这也使得西方文论话语在当代文学理论研究与批评中长期占据支配地位。在“第二个结合”的视域中,现代白话文学与传统文化的关联不再被视为对中国文学现代性的否定,而成为中国文学现代性的文化底蕴。这种新的文学观念为促进现代白话文学与中国古典文学传统的深度融合,重建中国当代文学理论研究与文学批评的文化主体性提供了很好的理论支点,必将对今后的文学学术产生深远的影响。
Modern vernacular literature has established a view of the opposition between “The New” and “The Old”,which results in a more attention to the estrangement between “the New Literature” and its tradition,and an emphasis on the influence of foreign literature,therefore leading to the dominance of Western literary theories and discourses in the study and criticism of contemporary literature for a long time.From the perspective of the “second combination”,the relationship between modern vernacular literature and traditional culture is no longer regarded as the negation of the modernity of Chinese literature,but as the cultural textures of the modernity of Chinese literature.This new literary concept provides a good theoretical fulcrum to promote a deeper integration of modern vernacular literature and Chinese classical literary tradition,and a reconstruction of the cultural subjectivity of contemporary Chinese literary theoretical research and criticism,which will certainly have a lasting influence on future literary scholarship.
出处
《上海文化》
CSSCI
2023年第12期26-33,共8页
Shanghai Culture
