摘要
佛教音乐是中国华南地区具有代表性的音乐文化事象,吸引着各界学者的目光与关注。文章以“知网”检索到的有效文献著述为依据,将目前学界有关华南佛教音乐的研究著述,划分为“概述、介绍类研究及以形态分析为主的本体研究”、“基于实地调查的个案研究”、“跨学科、跨文化、跨地域或借鉴其他学科方法或理论的研究”、“研究方法、理论、意义的探索与反思”及“综合性著述及课题”五种类型。旨在通过对研究现状的梳理,概括出中国华南地区佛教音乐研究的基本态势与面向侧重,进而总结当前研究的疏漏与不足,为未来的学术发展提供可鉴的视野与路径。
Buddhist music is a representative musical and cultural event in South China,attracting the attention and attention of scholars from all walks of life.The article is based on effective literature works retrieved from"CNKI"and divides the current research on Buddhist music in South China into"overview,introductory research,and ontological research based on morphological analysis","case studies based on field investigations","interdisciplinary,cross-cultural,cross regional,or referencing other disciplinary methods or theories","exploration and reflection on research methods,theories,and significance"There are five types of comprehensive writings and topics.The aim is to summarize the basic characteristics and focus of Buddhist music research in South China through a review of the current research status,and then summarize the current research gaps and deficiencies,providing a valuable perspective for future academic development.
作者
董波
訾润其
Dongbo;Zi Runqi(School of Music and Dance,Guangzhou University,Guangzhou 510006;Inner Mongolia Normal University School of Music,Hohhot City,Inner Mongolia Autonomous Region 010022)
出处
《内蒙古艺术学院学报》
2023年第4期191-197,共7页
Journal of Inner Mongolia Arts University
基金
2022国家社科基金艺术学重大项目《中国艺术民俗学的理论与实践研究》(批准号:22ZD06)的阶段性研究成果。
关键词
华南地区
佛教音乐研究
方法论视野
South China region
Buddhist music research
Methodology Perspective
