摘要
唐代是诗文与类书并盛的时代,唐人诗赋取士的制度推动了诗文学习的普及,从而带动了堪称诗文创作知识库的类书的繁荣。从一些敦煌类书的编纂体式及所存序文看,唐代的类书编纂是直接服务于诗文创作重偶俪、重辞采、重用典的审美追求的。此种追求源自六朝以来的绚丽文风,对此类文风的虚浮之弊唐人曾在理论上加以明确反对,但在创作实践上却因循沿袭、无法摆脱。
The poetic prose and encyclopedias of the Tang Dynasty were very prosperous.The system of selecting talents through literary creation in the Tang Dynasty promoted the popularization of poetry and literature learning,and also led to the prosperity of encyclopedias,which served as a knowledge base for poetry and prose creation.From the compilation style and preface of some Dunhuang encyclopedias,it is evident that the encyclopedias of the Tang Dynasty directly served the aesthetic pursuit of poetry and prose creation,emphasizing the duality of sentences,the magnificence of rhetoric,and the use of allusions.This pursuit originated from the splendid literary style of the Six Dynasties.Although writers in the Tang Dynasty explicitly opposed the impractical drawbacks of this splendid literary style,they found it difficult to escape its influence in their actual creations.
作者
高天霞
郑瑞
Gao Tian-xia;Zheng Rui(College of Chinese Language and Literature,Hexi University,Zhangye Gansu 734000)
出处
《河西学院学报》
2024年第4期12-16,共5页
Journal of Hexi University
基金
国家社科基金重大项目“出土文献与上古文学关系研究”(20&ZD264)
“敦煌吐鲁番文献通假资料整理研究及数据库建设”(23&ZD312)。
关键词
敦煌写本
类书
诗文创作
Dunhuang manuscript
Encyclopedia
Poetry and prose creation
