摘要
杨慎是明中期重要文人,在明代文坛有很大的影响力。作为《文心雕龙》明代的首个批点本,杨慎批点本反映出杨慎本人乃至明代文学风向之转变,并开启了明代《文心雕龙》评点的潮流,这对明朝中后期的诸多文学流派借鉴、继踵六朝之风均产生了较为深远的影响。前人对批点本成书时间并无深入研究,忽略了杨慎其他著作中对批点本的征引及杨慎生平经历中存在的确定撰作时间的线索。考证可知,杨慎批点《文心雕龙》在嘉靖四年,这展现了杨慎与张含文学交往的一个侧面,印证了杨慎文学研究重心自先秦两汉至六朝的转变,以及其强调“情”的价值、将风雅传统与六朝绮靡风格进行弥合的尝试。
Yang Shen,one of the representative literati in Mid-Ming Dynasty,was immensely influential.The first postil of Wen Xin Diao Long during Ming Dynasty composed by Yang Shen reveals the turning point of not only the life of Yang Shen,but also the progress of literary ideas in Ming Dynasty,leading the tide of posterior postils of Wen Xin Diao Long.Former scholarships didn’t examine the time of its formation closely,and was unable to discover the clues hidden in Yang Shen’s other publications and his life experience.Through analysis,I notice that the specific time of Yang's composition was the fourth year of Jiajing.This reveals Yang Shen's swift of literary focus from Pre-Qin and Han literature to literature of the Six Dynasties,emphasizing the importance of feelings(qing),and making efforts to combine the tradition of Feng-Ya with the aesthetic style of the Six Dynasties.This shows the conversation between individuals like Yang and his friend,or even the entire literature territory,exhibiting the cultural ecology of Jiajing Period.
作者
谢欣仪
Xie Xinyi(School of Literature,Zhejiang University,Hangzhou,Zhejiang,310058)
出处
《语文学刊》
2024年第4期10-16,共7页
Journal of Language and Literature Studies
