摘要
两宋时期是我国婴戏图创作鼎盛时期,数量之众、质量之高为其他朝代所未有。从创作时间上看,两宋时期婴戏图多出于徽宗政和以后。宋代皇室的子嗣生育一直是一个棘手的问题,而徽宗恰恰是两宋皇帝中子嗣最多的一位帝王。婴戏图可能不仅仅是官府针对宋代民间“不举子”现象进行宣传教化的图像,在很大程度上还像徽宗筑艮岳、兴医学一样是为了祈祷宋室后妃多产子嗣并健康成长,进行祈福、胎教和传播保育知识的图像。婴戏图的创作和传播对宋代社会保障儿童健康和人口增长产生了积极作用。
The Northern and Southern Song dynasties were the peak period of creating paintings of children at play in China,with an unprecedented quantity and quality compared to other historical periods.In terms of timing,most of these paintings emerged after the Zhenghe Era during Emperor Huizong’s reign.The issue of royal offspring in the Song dynasties was a thorny one,and Huizong was notably the emperor with the most children among the Song rulers.The paintings of children at play may not only have served as propaganda by the government to address the phenomenon of“childlessness”among the common people during the Song dynasties,but they also aimed to pray for the royal family to have more offspring who would grow up healthy,similar to how Huizong built the Gen Yue and promoted medicine.These paintings were used for blessings,prenatal education,and the dissemination of childcare knowledge.The creation and spread of paintings of children at play during the Song dynasties positively influenced social welfare for children and population growth,and they also hold reference value for contemporary social development and cultural progress in China.
作者
赵瑶丹
胡庚申
ZHAO Yaodan;HU Gengshen(College of humanities,Zhejiang Normal University,Jinhua 321004,China)
出处
《浙江师范大学学报（社会科学版）》
2024年第5期84-94,共11页
Journal of Zhejiang Normal University(Social Sciences)
基金
金华文化研究工程(第一期)重点项目“南宋婺学‘经世致用’思想与地方社会研究”(WHYJ202205)。
关键词
婴戏图
生育
宋代皇室
paintings of children at play
fertility
royal family of the Song dynasties
