摘要
抗战时期的陕甘宁边区,物质生活相当匮乏,这种情况既源于大西北的自然条件,同时又受到战时环境的影响。如此,陕甘宁边区军民在服装方面呈现出朴素的审美观和实用主义的价值观,在设计方面则体现为3种设计策略:一、量体裁衣——以节约为中心的设计观念;二、知识分子影响下的自发性设计改造模式;三、同一性与多面性的灵活设计方法。延安的个性与时尚是有限度的,但也是弥足珍贵的,由此可以看到在那个艰苦的岁月中,延安人民群众的乐观精神和设计创新精神。
During the Anti-Japanese War,the materials in the Shaanxi-Gansu-Ningxia Border Region was quite scarce,which is due to both the natural conditions in the northwest and the impact of the wartime environment.In this way,the military and civilians in the Shaanxi-Gansu-Ningxia Border Region presented a simple aesthetic and pragmatic value system in clothing,which was specifically reflected in the emergence of three design strategies in design.Firstly,tailoring to the needs-a design concept centered on conservation.Secondly,models of spontaneous design transformation under the intellectual Influence.Thirdly,the flexible design methods of identity and multiplicity.The personality and fashion of Yan'an are limited,but they are also precious,which shows us the optimistic spirt and innovative design spirit of Yan'an people in those difficult years.
出处
《创意与设计》
2024年第5期34-44,共11页
Creation and Design
基金
国家社会科学基金艺术学一般项目(20BG125)
重庆市研究生科研创新项目(CYB240282)。
关键词
抗战时期
陕甘宁边区
服装设计
审美观念
Anti-Japanese War period
Shaanxi-Gansu-Ningxia Border Region
clothing design
aesthetic concept
